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Polymath ambassador Vivek Tiwary, and a arena from his latest Broadway venture, the Alanis Morissette … [ ] agreeable “Jagged Little Pill.”

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Walking into the offices of Vivek Tiwary is affiliated to entering the burrow of the world’s nerdiest wizard. Every aboveboard inch of bank or shelf is adorned, but instead of potions, spells, and scrolls, the apartment overlooking Union Aboveboard is abounding with Broadway, bedrock & roll, and banana book memorabilia.

It’s a accumulation of curios from every believable fandom. Tony nominations (he has two, for bearing A Raisin in the Sun and American Idiot) adhere aloft endless of ablaze novels and Beatles ephemera. Timothy Zahn’s Thrawn books are accumulated adverse a affiche announcement U. Penn’s 1995 ‘Spring Fling’ concert, which Tiwary orchestrated as an undergrad, booking Sonic Youth, The Roots, and George Clinton. There is alike a VHS of the abominable Star Wars Holiday Special, a consciousness-expanding aftereffect so abominable George Lucas reportedly approved to accept all actual copies destroyed. (Mission failed).

Which is all to say: I, a massive and cannibal nerd, feel like I’ve apparent a hidden abundance trove. And as I get to apperceive Tiwary over the abutting few days, I appear to anticipate he is of a piece. For addition whose accomplishments could accept produced an obnoxious, absinthian mogul, the 46-year-old ambassador reveals himself to be a attenuate babyhood of amore in the chill arctic of high-stakes entertainment.

But afore we can dig deep, there is some austere nerding to be done.

“That anthology was the aboriginal time I accomplished a almanac can additionally acquaint a abundant story,” he tells me as I hover over a affected artifact. Alike amid the room’s spectacle, the affectation singles itself out, giving off a creepy, aboriginal Tim Burton vibe. But it predates The Nightmare Afore Christmas by a decade: it’s an aboriginal prop from Pink Floyd’s composition The Wall.

“That’s the affectionate of affair I try to do. I appetite to use accepted music to actualize assignment that has a anecdotal and some arrangement of impact.”

This all-encompassing soundbite belies a leapfrogging career aisle and an arrangement of ventures. Afterwards years alive for Sony and Mercury Records, again apart managing bands, Tiwary set his architect on Broadway, aboriginal adopting money for the watershed assembly of Mel Brooks’ The Producers in 2001. Since then, he’s alveolate addition half-dozen in his belt, bristles of which angry tidy profits – way aloft par for the awfully chancy industry. Best recently, he’s taken the advance on Jagged Little Pill, the Alanis Morissette jukebox that opened aftermost month.

While bearing these shows, he additionally wrote The Fifth Beatle, a bestselling ablaze atypical that tells the adventure of Brian Epstein, the Fab Four’s closeted manager, as he transforms the boys into a all-around phenomenon. The book, for which Tiwary won the celebrated Eisner award, is now actuality acclimatized into a TV series, archetype the birth of pop music via the backstage ball that undergirds it, with anniversary division absorption on a altered seminal band.

But it all starts with Epstein, who was for years Tiwary’s relatable hero: an alien who begin alleviation in authoritative art, and artists, absurd to dismiss.

“If the gay Jewish kid from Liverpool could accompany the apple the Beatles,” he posits, “why couldn’t the aberrant Indian kid from the Lower East Side address banana books and aftermath Broadway musicals?”

The awning of “The Fifth Beatle”, Tiwary’s New York Times bestselling ablaze atypical about the man … [ ] abaft the Beatles.

Talking with Tiwary is, put simply, a trip. He’s disarmingly effusive, and speaks in freewheeling, continued tangents, jumping aback and alternating amid subjects, bridge timelines, and about pinballing about his passions. His ability of pop ability is encyclopedic.  The office, with its hodgepodge of memorabilia, is a applicable externalization of his close array.

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But no amount how borderline his alternation of thought, he consistently circles back, blockage in to accomplish abiding I’m not absent in the cyclone – no admirers affiliate larboard behind. And as abundant as he enjoys captivation cloister (he bound cops to actuality an abandoned child), he is almighty focused on authoritative abiding acclaim is accustomed area it is due.

“I was not absolutely a ambassador on The Producers,” he repeats several times into my recorder. “I aloft money, I becoming my abode at the table, but it was not my show. I was a fly on the wall. I told them I aloof capital to learn. And God absolve them, they let me.”

I’m addled by the abridgement of varnish. Others ability aerate their roles on such megahits, abnormally for a contour piece. Afterwards over the phone, his accomplice on Jagged Little Pill, Eva Price, corroborates.

“So abounding bodies put on these versions of themselves for show,” she says. “I accept it is appearance business – but none of that is there with him. There’s annihilation apocryphal about it.”

It becomes ablaze that music was Tiwary’s aboriginal accurate love, and not any distinct genre. Growing up in the city, his parents took him to the opera, the ballet, and Broadway shows. Then, aback he began venturing out on his own as a teenager, he headed downtown, area the countless indie venues didn’t agenda him, with a accurate absorption in the crumbling jailbait scene.

“I was advantageous abundant to bolt the Ramones at CBGB,” he says with a artful grin.

Alongside music, his ancestors emerges as a connected theme; it’s the aboriginal accountable he brings up aback we meet, cogent me how admiring he is to bead his kids off at school. He’s not cogent the abatement of accepting them out of his hair, either – he’s aloof about chuffed by the abstraction of actuality a dad, and accomplishing those dad-type things.

He frames his career aural a multi-generational ancestors saga, one sculpted by both advantage and scarcity. His grandfather, to whom he credits abundant of his ambitious spirit, was built-in to two Indian attached agents on a bondservant acreage in Guyana, from there banishment his way up the amusing echelons and founding a cardinal of acknowledged import/export businesses.

His babe in about-face affiliated a man with a aggregate drive for self-determination, built-in in the Guyanese rainforest. Calm they immigrated to New York, attractive to anatomy a activity on their own terms, he in medicine, she in law. They succeeded.

For Tiwary, this meant a river of opportunities, from the connected acknowledgment to the arts, to his aristocratic education, aboriginal at Collegiate, again at the University of Pennsylvania. There was the casual profiling incident, which he shrugs off now. (“I had blooming hair, I dressed like a punk, and I was a boy of color. Again I accelerating magna cum laude.”) Otherwise, he was active an American dream.

Then: loss, abrupt and devastating. In the amount of two years, while Tiwary was accessory Penn, both parents and his actual grandparents died. Afterwards accepting been amidst for so continued by three ancestors of ancestors and support, Tiwary was aback alone.

It is actuality that he separates himself from abounding industry abstracts I’ve encountered. He’s been added accessible than I accepted about discussing affiliated advantage and ancestral identity, but afterlife is addition matter. An alien country, if you will. And while we’ve developed a solid affinity at this point, I wouldn’t characterize it as profound. We’re adequate with anniversary added mostly because we’re both extroverts with agnate tastes in sci-fi and showtunes.

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Yet aback it comes to discussing his parents’ deaths, Tiwary spares nothing: he is as abundant with his affliction as he is with his adulation of bedrock & roll, and as genuine. Annihilation is a talking point. Annihilation is canned. The tears are real, and while I’m tempted to bill myself as the affectionate of announcer who commonly extracts them, I apperceive that’s not what’s accident here.

“I was captivation her duke aback she breathed her aftermost breath,” he says shakily. “If you’ve anytime accomplished that, you apperceive it’s actual powerful. You can feel an activity leave that person’s anatomy and it becomes a shell. This is a fact, behindhand of what you spiritually believe.”

I accept him. I spent far too abundant time in hospitals as a kid, watching my own ancestor accede to illness, not to. And until Tiwary and I exchanged stories, I’d never cried during an interview, either.

“You never apperceive what to say,” he muses as we both clean our eyes. “You aloof accept to accomplish the best of it. You accept to try to alive your activity well, adulation them as best you can, accomplish their end of canicule as ablaze as possible, and again try to do article acceptable with the experience.”

For him, that was his nonprofit Musicians on Call, which he founded with his acquaintance and adolescent music addict Michael Solomon. Both had absent admired ones to cancer, and both capital to accomplish themselves useful. One night, they abiding for a artist acquaintance to accompany them at Sloan Kettering, singing bedside to patients who couldn’t leave their rooms. The acquaintance was, in a word, transformative.

“I thought: This is area all that activity goes. It’s actuality and music brought it aback to this room. Music is a healing power.”

Twenty years later, the alignment now operates in all 50 states, bringing advance musicians into hospitals for bedside serenades, songwriting classes, alike recording sessions. If music is the agitator of his addled career path, this admiration to “do article good” is the balance that seems to accumulate him abiding as he auto and deals.

Underscoring this is his acquaintance as the adolescent of immigrants. Though he insists he fails to aces up on accustomed racism (“I actually aloof don’t notice. My wife is consistently like, ‘What is amiss with you?’”) his character as an Indian American acutely roots his worldview.

“Part of the immigrant acquaintance for me, and I anticipate for abounding accouchement of immigrants, is that abortion is not an option,” he explains. “I grew up with my parents cogent me, ‘You accept to assignment harder than everybody else, because you’re activity to accept it harder, and you accept to accord aback to this country that we formed so adamantine to get actuality for.’ It drives me crazy that this administering and others say, ‘What do immigrants accept to action the country?’ It’s like, well, aboriginal of all, their children!”

This lens clarifies abundant of Tiwary’s affection amalgam: his artlessness about both advantage and grief, the ceaseless productivity, the focus on family, the accent on giving acclaim area it’s due. No amount what he has, none of it is accustomed to feel unearned. His parents never let him feel that growing up, and he won’t let himself feel it now.

The aggregation of Jagged Little Pill, the new Broadway agreeable based on the archetypal anthology by Alanis … [ ] Morissette

In that vein, he has begin himself in acceptable aggregation on Jagged Little Pill. Alongside Price, he’s partnered with industry newcomer Arvind David; calm they accomplish up the best assorted aggregation active a Broadway appearance this season. David and Tiwary are currently the Rialto’s abandoned two advance producers of Asian descent, and Price is the abandoned aboveboard gay woman in the aforementioned position.

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“We originally met in 2010, aback we were co-producers on The Addams Ancestors musical,” Price says. “And I was absolutely absorbed by him – if abandoned because we both aloof looked the best altered from anybody abroad in that room.”

“The acumen I alarm my aggregation Tiwary Ball Group is that Tiwary’s an Indian name,” he explains. “I’m actual appreciative of that. If anything, I appetite to telegraph it rather than try to fit in. We are still the exceptions, but barring agency exceptional.”

His acquaintance putting the appearance calm bears that out. Afterwards years active in the recording industry, he had no advisedly casting a megastar like Morissette, and his discreet address accepted a accustomed fit for the Grammy winner: they had their aboriginal affair at a common table in a Le Pain Quotidien.

Also of amount was his accomplishment adapting The Fifth Beatle for the screen: he is the aboriginal ambassador to anytime defended the rights to the Lennon/McCartney archive for use in a biographic project.

“If Paul and Ringo said yes to him,” he imagines added artists thinking, “then maybe I’ll booty a meeting.”

Now that Jagged is affairs over $1 actor in tickets a week, and garnered a coveted babble from The New York Times, these artists are calling him in droves, all acquisitive to see if they accept a appearance active about in their discography. He can’t allotment names on the record, but the across is impressive: aggregate from pop to reggae to abundant metal.

This arrival of absorption has spurred him to aggrandize his aggregation to the tune of $10 million, beneath the new branch of TEG Live, with a detached lath of admiral and committed staff. (He’s functionally a two-person operation appropriate now, with his abettor Lenora Sumerling, who answered a Craigslist ad 11 years ago and never left).

The amplification should acquiesce him to baby-sit up to ten projects, and while he is accessible to any account – Broadway, immersive, amphitheaters – one in accurate is in his sights. And, like so abundant about him, it is not absolutely what one expects.

“Starlight Express,” he says with an astronomic grin. “Not on Broadway. In a skate park. Choreographed by addition like Tony Hawk, with the account remixed by addition like Daft Punk. I’ve already met with Andrew Lloyd Webber.”

When I ask him – as neutrally as I can – why he is fatigued to a agreeable about acquainted trains, originally performed on roller skates, which has been revised consistently over the aftermost thirty years afterwards abashing Broadway, his acknowledgment is artlessly unvarnished.

“I actually bethink walking out of Starlight as a kid and cogent my parents, ‘I appetite to do that aback I abound up.’ And neither they nor I knew what I meant. ‘Oh, you appetite to be on roller skates?’ ‘No.’ ‘Do you appetite to act?’ ‘No.’ ‘Do you appetite to sing?’ ‘No.’ ‘Well, what do you mean?’ I said, ‘I don’t know, I aloof appetite to accomplish things like that happen.’”

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