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Photographers adorable for a take-everywhere camera should accord the GM5 kit austere consideration, decidedly if they already own a Panasonic M4/3 system. The aforementioned applies to digicam owners adorable to advancement to an interchangeable-lens camera, decidedly if the admeasurement and weight of a DSLR is daunting.

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The camera with its bunched kit lens makes a abundant admixture for artery photography.

When Panasonic appear its Lumix DMC-GM1  just over a year ago, abounding bodies admired it had a viewfinder. That blank is addressed in the GM5, which was appear in mid-September and is now accessible in Australian camera shops. The congenital EVF, which has a resolution of added than a actor dots, is the capital affection that distinguishes the GM5 from the GM1. Otherwise, its adviser awning has hardly lower resolution, although not abundant to accomplish an impact, and the GM5 lacks a congenital flash.  

The three colour options accessible for the Panasonic Lumix DMC-GM5 in Australia. (Source: Panasonic.)

Like its predecessor, in Australia, the GM5 is offered in three colours: absolutely atramentous added orange-red and atramentous and appearance blooming with argent top bowl and trim. Some countries don’t activity the blooming version.

Angled advanced appearance of the Panasonic Lumix DMC-GM5, atramentous version, with the 12-32mm lens. (Source: Panasonic.)

In Australia, the GM5 is actuality awash with the Lumix G-Vario 12-32mm f/3.5-5.6 ASPH. MEGA O.I.S. lens, which we advised with the GM1 in January 2014. A accompanying lens kit which adds the Lumix G Vario 35-100mm f/4.0-5.6 lens is additionally actuality offered for an RRP of AU$1,399.

Who’s it For?  Essentially, the GM5 is targeted at the aforementioned accumulation of photographers who were admiring by the GM1: buyers adorable for a pocketable, large-sensor camera with P, A, S and M cutting modes and changeable lenses. With its 12-32mm kit zoom lens, the new camera is baby abundant to blooper into the abridged of a brace of slacks (but apparently not jeans) and will calmly fit into a anorak pocket.

This lens has a few limitations. It retracts and charge be continued afore the camera will power-up. It can alone focus to aural 20 cm of accommodation at 12mm and 30 cm at 32mm and neither the lens nor the camera has a committed macro ambience so they aren’t ideal for bound close-up shots.

Like the GM1, the GM5 is added acceptable to address to owners of Micro Four Thirds (M4/3) cameras, although it could be a acceptable best for digicam users who are adorable to aggrandize their authentic horizons with an interchangeable-lens camera that’s abate than an boilerplate digicam. There are affluence of lenses to accept from amid the Panasonic and Olympus offerings and an accretion cardinal of third-party lens manufacturers.

It could additionally be accessible as a second, added compact, anatomy for owners of Panasonic’s larger, SLR-style cameras, such as the GH4. But owners of Olympus CSCs will acquisition it beneath adorable back it lacks in-body stabilisation, which will affect their adeptness to use best lenses.

Finally, with an all-up weight of 281 grams (including battery, anamnesis agenda and 12-32mm lens), the GM5 is baby and ablaze abundant to be agitated by a bombinate and its Wi-Fi capabilities accredit pictures to be taken with a affiliated acute accessory (provided it’s aural range). It’s not as ablaze as a archetypal activity camera but a lot added able and provides abundant college resolution for cutting still pictures.

Build and Ergonomics  The GM5 is hardly beyond than the GM1, which charcoal in Panasonic’s account (for the time being) and about seven grams heavier. Best of the admeasurement differences are in the acme and abyss of the anatomy (required for the EVF); the GM5 is about 5 mm taller and a bit added than 5 mm thicker than the GM1.

 Front appearance of the GM5, blooming version, assuming the supplied beam attached. (Source: Panasonic.)

Aside from the viewfinder, the capital aberration amid the GM5 and GM1 is the flash. It’s congenital into the GM1 but supplied as a arranged added with the GM5, which is able with a hot-shoe to board it.

 Top appearance of the GM5 assuming the new hot shoe for the arranged alien flash. (Source: Panasonic.)

The arranged beam has a bit added adeptness than the GM1’s congenital one, but neither is able of lighting up an boilerplate sized room. Aside from the new hot-shoe, the ascendancy blueprint on the top console is the aforementioned as the GM1’s.

 Rear appearance of the GM5 (red version) assuming the revised ascendancy blueprint and new deride rest. (Source: Panasonic.) The capital changes to the ascendancy blueprint accept taken abode on the rear panel, area the GM5 has a few buttons aloft the adviser awning added a new ascendancy punch that wasn’t provided on the GM1 and a larger, added adequate deride rest. This makes it added adequate to operate.  

The viewfinder is baby and a bit tunnel-like. But its resolution is aerial abundant to accommodate the detail best photographers require. According to Panasonic, its colour area covers ‘almost 100% colour reproduction of the Adobe RGB standard’, which agency colours on the awning should accord with the colours you will get in your photos.

An eye sensor on the appropriate duke ancillary of the eyepiece detects back you lift the camera to your eye and automatically switches amid the adviser and EVF. Panasonic’s ‘Touch Pad AF’ adeptness lets users attending through the viewfinder, while accompanying affecting the adviser awning with their deride to set a focus point.

New Functions  Panasonic has alien a new ‘snap cine mode’ that is advised to acquiesce users to abduction a arrangement of clips accoutrement an accident in a architecture that is accessible to share. With this setting, the camera will almanac the clips and accumulate them into a video that can be uploaded to amusing networks.

Users can accept from two-, four-, six- and eight-second clips and baddest a cull focus action (to accumulate the accountable in focus while zooming) and accept from two alteration fades amid clips. The Colour-out ambience fades from colour to monochrome, while the Colour-in ambience does the reverse.

Face and Eye Detection accept been added to the autofocusing options accessible and the camera includes a anamnesis coffer for autumn advertence images for face recognition. Highlight and Adumbration acclimation are additionally available, forth with the approved Panasonic panorama cutting approach (which was missing from the GM1).

The Creative Ascendancy approach includes 22 clarify options, which are now accessible in the P, A, S and M cutting modes. Users can analyze pictures attempt with and afterwards clarify furnishings on the adviser awning and accept the one they prefer.

Most Photo Style and clarify aftereffect settings are accessible in the accustomed cine mode. Scene presets that can be acclimated in cine approach back the Low ablaze approach is called accommodate Bright Nightscape, Bright Night Portrait, Artistic Nightscape, Handheld Night Attempt and Scene Guide mode.

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The chip IEEE 802.11 b/g/n Wi-Fi has been bigger with the accession of a QR cipher affectation that can be scanned by a acute accessory for faster inter-connection. But the camera lacks NFC capabilities.Wi-Fi functionality is authentic by the Panasonic Angel App for iOS/Android smart-phones/tablets, which is accessible as a chargeless download.  

Most camera functions can be controlled accidentally via a affiliated acute accessory and users can assay shots on the device’s screen. Geotagging of images is additionally accessible appliance GPS abstracts from a affiliated smart-phone.

The GM5’s agenda additionally provides a articulation to Panasonic’s web casework via the Lumix Club at http://lumixclub.panasonic.net/, which provides a distinct point for announcement photos and video clips to alien web services. Users can additionally upload images to the Cloud Sync. Service (which will authority up to 1000 pictures for 30 canicule afterwards the transfer) or affix to a wireless admission point via WPS appliance a push-button or PIN cipher or chiral affiliation (which supports encryption). Wi-Fi Direct affiliation is additionally available.  

Like the GM1, the GM5 provides four connected cutting modes, two of them afterwards alive view. The fastest abduction amount (Super high-speed) can almanac 40 frames in one added but requires the cyberbanking bang and is alone accessible with JPEGs.  

The Accelerated connected cutting ambience has been tweaked a little to accredit the GM5 to abutment 5.8 frames/second (fps) abduction in AF-S mode, up from 4 fps on the GM1. A best anatomy amount of 5 fps applies in AF-C mode. The absorber anamnesis hasn’t afflicted back the GM1 and charcoal bound to seven frames back raw files are included (or about 38 JPEG frames).

Some accessory adjustments accept been fabricated to cine anatomy and bit ante but the GM5 supports the aforementioned AVCHD and MP4 /H264 formats as the GM1. Both formats accommodate the aforementioned high-resolution settings, with the top resolution/quality ambience for the PAL arena actuality 1920 x 1080 pixels at 50 frames/second, appliance accelerating scanning.

Aside from those changes, the GM5 supports the aforementioned user-adjustable controls as the GM1, including the adeptness to baddest the P, A, S and M modes and administer abounding of the Creative Ascendancy filters. Full-time AF, AF tracking and Blow AF are accessible in cine mode, the closing authoritative it accessible to administer arbor absorption effects.

Sensor and Angel Processing  Both are the aforementioned as the GM1’s, which is agitated beyond from the GX7. Details of book sizes can be begin with our assay of the GX7.

Playback and Software   Playback modes are agnate to those in added G-Micro arrangement cameras and accommodate single-image playback, basis affectation of 12 or 30 thumbnails, Calendar display, Zoomed playback (up to 16x), Slideshow (duration & aftereffect is selectable) and Category or Favourite displays. Playback approach additionally supports playback of video clips and 3D images (the closing acute a 3D TV set).

The software array supplied includes PHOTOfunSTUDIO 9.6 PE for Windows (for organising photos and video clips), SILKYPIX Developer Studio 4.2 SE for RAW book development (Mac and Windows) and a 30-day balloon of the Windows-based LoiLoScope for alteration videos. Multi-lingual versions of the user chiral are supplied on a abstracted disk.

Readers who (like us) accede the SILKYPIX advocate an appliance that is alone accessible as a aftermost resort back annihilation abroad is accessible will be animated to apprehend the latest adaptation of Raw Therapee (V. 4.2.16) is accordant with RW2.RAW files from the GM5. It’s accessible as a chargeless download from http://rawtherapee.com/.

When we conducted our tests, Adobe Camera Raw, our adopted raw book converter, did not abutment raw files from the GM5. Consequently, we acclimated Raw Therapee to catechumen the camera’s raw files into editable 16-bit TIFF architecture for our Imatest analysis.

Achievement  Subjective assessments of angel files from the assay camera showed them to be agnate to those from the GM1. Affluence of detail was recorded and images were aciculate and analytic colour accurate, with a slight addiction to emphasise reds and purplish blues. This was accepted by our Imatest tests, which showed it to be mostly a aftereffect of JPEG processing. Raw files adapted with Raw Therapee were abutting to colour-neutral.

Metering was as authentic as we begin with the GM1 and up to expectations for G-series cameras. The absence Accepted ambience in the iDynamic approach delivered composed highlight and adumbration detail, alike in absolutely contrasty situations.

Autofocusing was fast and authentic in best situations, decidedly back the blow awning was acclimated to set the focus position. No cogent slowing was axiomatic back cutting in low ablaze levels or while animadversion while cutting stills.

Imatest showed both JPEG and RW2.RAW files could accommodated expectations for a 16-megapixel camera with optimal lens settings. Resolution captivated up actual able-bodied with both book types beyond the camera’s acuteness range, as apparent in the blueprint of our Imatest after-effects below.

  Long exposures taken in dim lighting showed little arresting babble appropriate up to ISO 6400, alike afterwards babble abridgement processing. By ISO 12800 granularity was apparent in analysis shots and its afterimage added at ISO 25600, area some angel abatement was evident. Shots taken at this ambience were aloof printable at up to snapshot size.

The supplied beam performed no bigger than the GM1’s congenital flash. Shots were under-exposed at sensitivities up to ISO 1600 and hardly over-exposed at ISO 25600. Colour reproduction was bigger than the GM1 produced. Sharpness and adverse had beneath acutely by ISO 6400.

White antithesis achievement was agnate to the GM1’s. The auto ambience bootless to actual balmy casting from beaming lighting but about baffled the blooming casting of beaming lighting (although a slight antithesis remained). Beam shots were absolutely corrected. No in-camera alteration is provided for beaming lighting but chiral altitude produced accustomed colour reproduction for it and the colour bent of the beaming lights.

Video affection was agnate to the GM1’s and about actual good, although we accomplished some assiduous artefacts back recording AVCHD clips with the 1920×1080 at 50i/17Mbps setting. (No added settings produced any problems.) Two examples of the botheration are reproduced below.

  Soundtracks were about actual bright with added stereo attendance than we accepted from the baby in-camera microphones. Clips showed no arrest from absorption and zooming and the wind-reduction clarify did a acceptable job of suppressing wind noise.

Our timing tests were conducted with the aforementioned 16GB Panasonic SDHC Class 10 UHS-1 agenda as we acclimated for the GM1. The assay camera powered up in about one second, although an added additional was bare to alleviate the lens to accomplish it accessible to shoot.   The boilerplate abduction lag of 0.15 abnormal was alone back shots were pre-focused.

Shot-to-shot times averaged 0.45 abnormal afterwards beam and 2.8 abnormal with. High-resolution JPEGs took about one added to action on average, while RW2.RAW files were candy in 1.9 abnormal and RAW JPEG pairs in 2.1 seconds.

Recording times and absorber capacities for the four connected cutting modes the assay camera offers akin Panasonic’s specifications.   The approach can almanac at 40 frames/second but is JPEG-only, while the Accelerated approach captures annal JPEG and raw frames at bristles frames/second. Alive appearance is not accessible during either burst.

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Processing a access of shots taken with the Super accelerated took about nine seconds. A access of 10 JPEG frames taken in the Accelerated approach took 3.4 abnormal to process.

With RW2.RAW files in the, the camera slowed afterwards seven frames, which were captured in 1.2 seconds. It took 5.5 abnormal to action this burst. The aforementioned anatomy amount and absorber absolute activated for RAW JPEG pairs but it took 9.6 abnormal to action this burst.

The average and low acceleration settings almanac at four and two frames/second appropriately with alive appearance authentic during capture. Both settings are accessible for bursts of RW2.RAW files and the absorber absolute is seven frames. JPEGs are candy on-the-fly and processing was completed aural almost a added of the aftermost anatomy captured.

Conclusion  Photographers adorable for a take-everywhere camera should accord the GM5 kit austere consideration, decidedly if they already own a Panasonic M4/3 system. The aforementioned applies to digicam owners adorable to advancement to an interchangeable-lens camera, decidedly if the admeasurement and weight of a DSLR is daunting.

The camera with its bunched kit lens makes a abundant admixture for artery photography. Unfortunately, it’s beneath adequate with beyond lenses and its bound array accommodation of about 200 shots/charge is lower than abounding digicams. In addition, the baby anatomy admeasurement and ascendancy buttons won’t clothing photographers with ample easily and/or bound dexterity.

As with the GM1, the amount of the GM5 kit could be a above hurdle. Alike at artery prices of beneath than AU$1000, it’s still absolutely a bit added big-ticket than the Olympus OM-D E-M10 or best of the Olympus PEN and Sony Alpha A6000 single-lens kits and the twin-lens kit for the Panasonic GF6. You pay a exceptional amount to accept an EVF in such a baby camera body.

 Image sensor: 17.3 x 13.0 mm Alive MOS Sensor with 16.84 actor photosites (16 megapixels effective) Image processor: Venus Engine A/D processing: 12-bit Lens mount: Micro Four Thirds Focal breadth crop factor: 2x Image formats: Stills ““ RW2.RAW, JPEG (DCF V. 2.0, Exif V. 2.3), RAW JPEG; Movies ““ AVCHD (Audio format: Dolby Agenda 2ch), MP4 (Audio architecture AAC 2ch); MPO (When adhering 3D lens in Micro Four Thirds arrangement standard) Image Sizes: Stills ““ 4:3 aspect: 4592 x 3448, 3232 x 2424, 2272 x 1704; 3:2 aspect: 4592 x 3064, 3232 x 2160, 2272 x 1520; 16:9 aspect: 4592 x 2584, 3840 x 2160, 1920 x 1080; 1:1 aspect: 3424 x 3424, 2416 x 2416, 1712 x 1712; Movies ““ AVCHD: 1920×1080 at 50p/28Mbps, 1920×1080 at 50i/17Mbps, 1920×1080 at 50i/24mbps; MP4: 1920×1080 at 50p/28Mbps, 1920×1080 at 25p/20Mbps, 1280×720 at 25p/10Mbps, 640 x 480 at 25p/4mbps; 3D ““ 1824 x 1368, 1824 x 1216, 1824 x 1024, 1712 x 1712 Image Stabilisation: Lens based Dust removal: Supersonic beachcomber filter Shutter acceleration range: 60 to 1/16,000 added (minimum 1/25 added in cine mode) Exposure Compensation: /-5 EV in 1/3EV accomplish ( /-3 EV for movies) Exposure bracketing: 3, 5, 7 frames in 1/3, 2/3 or 1 EV Step, Max. /-3 EV, single/burst Other bracketing options: WB (3 exposures in blue/amber or magenta/green axis) Self-timer:   2 or 10 abnormal adjournment added 10sec, 3 images  Focus system: Adverse AF system Focus modes: AFS (Single), AFF (Flexible), AFC (Continuous), MF added Face/Eye Detection, Tracking, 23-Area / 1-Area / Pinpoint AF Exposure metering:  1728-zone multi-pattern analysis arrangement with Multiple / Centre Weighted / Spot modes; ambit EV 0 – 18 (f/2.0 lens, ISO100 equivalent) Shooting modes: iAuto, iAuto , Program AE, Aperture Priority AE, Bang Priority AE, Manual, Movie, Custom, Panorama, Scene, Creative Control Scene presets: Bright Portrait, Silky Skin, Backlit Softness, Relaxing Tone, Sweet Child’s Face, Distinct Scenery, Bright Blue Sky, Romantic Sunset Glow, Vivid Sunset Glow, Glistening Water, Bright Nightscape, Cool Night Sky, Balmy Glowing Nightscape, Artistic Nightscape, Glittering Illuminations, Handheld Night Shot, Bright Night Portrait, Soft Angel of a Flower, Appetising Food, Cute Dessert, Freeze Animal Motion, Bright Sports Shot, Monochrome Photo Style: Standard, Vivid, Natural, Monochrome, Scenery, Portrait, Custom    Creative Control: Expressive, Retro, Old Days, Aerial Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome, Silky Monochrome, Impressive Art, Aerial Dynamic, Cross Process, Toy Effect, Toy Pop, Bleach Bypass, Miniature Effect, Soft Focus, Fantasy, Star Filter, One Point Colour, Sunshine ISO range: Auto, Intelligent ISO, ISO 100 (Extended, ISO 200-25600 (adjustable in 1/3 EV steps) White balance: Auto, Daylight, Cloudy, Shade, Incandescent, Flash, White Set 1, 2, Colour temperature ambience (2500-10000K in 100K steps)Colour space: sRGB and Adobe RGB  Flash: TTL alien beam (bundled), GN10.0 agnate (ISO 200/m)Flash modes: Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off   (* For iA, iA only)Sequence shooting: Max. approx. 40 shots/sec. with cyberbanking bang (JPEG only); 5.8   shots/sec. with automated shutterBuffer anamnesis depth: 39 JPEGs, 7 raw files, 7 RAW JPEGStorage Media: Distinct aperture for Anamnesis Stick PRO Duo or SD/SDHC/SDXC anamnesis cards; UHS-1 compliantViewfinder: EVF with 1,166,000 dots, approx. 100% FOV, approx. 0.92x magnification, approx. 17.5 mm eyepoint, -4.0 to 4.0 dioptre adjustment, eye sensor (adjustable high/low sensitivity)LCD monitor: 3-inch, 16:9 aspect TFT LCD adviser with changeless blow control, approx. 921,000 dots, adjustments for Brightness (13 levels), Adverse (13 levels), Saturation (13 levels), Red-Green (21 levels), Blue-Yellow (21 levels)Live Appearance shooting: 2x, 4x agenda zoom, max. 2.4x Added Tele Conversion, Level Gauge, Real-time Histogram, Guide Lines (3 patterns), Highlight affectation (Still angel / motion picture), Zebra arrangement (Still angel / motion picture)Playback functions: Accustomed playback, 30-thumbnail display, 12-thumbnail display, Calendar display, Zoomed playback (Max. 16x), Slideshow (All / Account Alone / Video Alone / 3D / Category Selection / Favourite, continuance & aftereffect is selectable), Playback Approach (Normal / Account / Video / 3D Play / Category / Favourite), Location Logging, Bright Retouch, Title Edit, Text Stamp, Video Divide, Time Lapse Video, Stop Motion Video, Resize, Cropping, Rotate, Rotation Display, Favourite, DPOF Print Set, Protect, Face Acceptance Edit, Account Sort, Delete ConfirmationInterface terminals: USB 2.0, HDMI, A/V output, terminal for RM-UC1 alien ambassador  Wi-Fi function: IEEE 802.11b/g/n, 2412 MHz – 2462 MHz (1-11 ch), Wi-Fi / WPA / WPA2, Infrastructure mode; QR Cipher ConnectionPower supply: 7.2V, 680mAh, 4.9Wh rechargeable lithium-ion battery; CIPA rated for approx. 210 shots/charge (rear monitor), 220 shots/charge (EVF)  Dimensions (wxhxd): Approx. 98.5 x 59.5 x 36.1 mmWeight: Approx. 180 grams (body only); 211 grams with array and card

 Based on JPEG files:

  Based on RAW2.RAW files adapted with RawTherapee V. 4.2.16:

  

 

 Auto white antithesis with beaming lighting.

 Auto white antithesis with beaming lighting.  

 Auto white antithesis with beam lighting.    

12mm focal length, ISO 100, 1/250 added at f/8.    

32mm focal length, ISO 100, 1/200 added at f/8.  

2x agenda zoom, 32mm focal length, ISO 100, 1/200 added at f/8.    

4x agenda zoom, 32mm focal length, ISO 100, 1/160 added at f/8.    

30-second acknowledgment at ISO 100, 24mm focal length, f/5.6.    

13-second acknowledgment at ISO 800, 24mm focal length, f/5.6.    

5-second acknowledgment at ISO 3200, 24mm focal length, f/6.3.    

2.5-second acknowledgment at ISO 6400, 24mm focal length, f/6.3.    

2.5-second acknowledgment at ISO 25600, 24mm focal length, f/13.    

Beam acknowledgment at ISO 100, 32mm focal length, 1/50 added at   f/5.6.    

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Beam acknowledgment at ISO 800, 32mm focal length, 1/50 added at   f/5.6.    

Beam acknowledgment at ISO 3200, 32mm focal length, 1/50 added at   f/5.6.    

Beam acknowledgment at ISO 6400, 32mm focal length, 1/50 added at   f/5.6.    

Beam acknowledgment at ISO 25600, 32mm focal length, 1/50 added at   f/11.    

Strong backlighting with 22mm focal length; ISO 3200, 1/30 added at   f/5.    

Backlighting, 18mm focal length; ISO 100, 1/500 added at   f/6.3.    

Backlighting; 15mm focal length; ISO 200, 1/320 added at   f/3.2.    

Close-up; 32mm focal length; ISO 100, 1/60 added at   f/5.6.    

Close-up; 32mm focal length; ISO 200, 1/125 added at   f/5.6.    

Handheld Twilight mode; 23mm focal length; ISO 3200, 1/5 added at   f/8.    

Portrait; 32mm focal length; ISO 2500, 1/80 added at f/5.6.    

Environmental portrait; 17mm focal length; ISO 1250, 1/60 added at   f/4.1.    

Sepia effect; 32mm focal length; ISO 3200, 1/40 added at   f/5.6.    

Artery shot; 32mm focal length; ISO 100, 1/160 added at   f/6.3.    

Still anatomy from AVCHD Full HD (1920 x 1080 pixels) video blow recorded in 50p/28M mode.    

Still anatomy from AVCHD Full HD video blow recorded in 50i/17M mode.    

Still anatomy from AVCHD Full HD video blow recorded in 50i/24M mode.

 

Still anatomy from MP4 Full HD video blow recorded in 50p mode.  

 Still anatomy from MP4 Full HD video blow recorded in 25p mode.  

 Still anatomy from MP4 HD video blow recorded in 20p mode.  

 Still anatomy from MP4 video blow recorded with VGA resolution.

RRP: AU$1099; US$900 (with H-FS12032 12-32mm lens)

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