Deepika Padukone’s Tara was afar advanced in agreement of the affluence of character.
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Towards the acute arrangement of ‘Tamasha’, administrator Imtiaz Ali had his trumph agenda buried — in the anatomy of ‘Agar Tum Saath Ho’, a acutely accordant song depicting a desolation, a aching that alone the millennials could feel. Millennials, because self-discovery is formatively a newer abstraction — a piercingly visceral, yet aesthetically august action of animate oneself.
AR Rahman played to his backbone and fabricated a bitter-sweet symphony about love. And singers Alka Yagnik and Arijit Singh, with this,
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