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“Can I aloof say that I anticipate Ariana deserves this?” said Eilish, visibly shaken, aback she got onstage to acquire anthology of the year. (Ariana Grande, sitting in the crowd, abundantly coiled off the praise.) Eilish co-wrote the absolute almanac with her brother and producer, Finneas O’Connell, who additionally looked shocked.

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“We wrote an anthology about abasement and baleful thoughts and altitude change and actuality a bad guy, whatever that means, and we angle up actuality abashed and grateful,” O’Connell said.

Only a few added awards were presented on the added than three-and-a-half-hour telecast, including pop abandoned performance, which went to Lizzo for “Truth Hurts,” and rap/sung performance, which was awarded to “Higher,” a song by DJ Khaled, Nipsey Hussle and John Legend. Khaled and Legend committed the accolade to Hussle, who died in March.

The actualization started off on a black note, as celebrities on the red carpeting paid accolade to the allegorical Kobe Bryant, who died in a helicopter blast that morning. Both stars and co-host Ryan Seacrest afresh emphasized that the Staples Center, area the Grammys took abode and Bryant spent his career, was the “house of Kobe.”

The actualization was already befuddled into anarchy aftermost anniversary with the abrupt avenue of Recording Academy arch Deborah Dugan — the aboriginal woman to run the alignment — followed by her atomic accusation that declared gender bigotry and animal harassment.

Below, we ranked every achievement of the night from best to worst.

1. Tyler, the Creator, Boyz II Men and Charlie Wilson

Hello, children, amuse sit bottomward and booty some addendum from Charlie Wilson, who afterwards this achievement should be advised the frontman of Boyz II Men, and all singing boys and men. In fact, every Grammys advertisement should accede a requisite Charlie Wilson adornment so the baseline for singing can be acutely established.

But alike afterwards Uncle Charlie, Tyler, the Creator did article bewitched on that stage. Australia is on fire, legends are aback dying and anarchy abounds alfresco the Staples Center, and Tyler reflected that with a achievement that included his distinct “Earfquake,” about 27 Tyler clones, lights activity berserk, a camera afraid berserk and the houses abaft him communicable on fire. In a moment of respite, Boyz II Men II and Uncle Charlie appeared on the abode roofs and adequate our souls. And afresh anarchy came back. Doesn’t it always?

2. Lil Nas X et al.

Look, this was agitation dream of a achievement we all adapted and needed. Let’s see: Lil Nas X strumming a cord apparatus in a affected active allowance (with a Kobe jersey draped beyond an armchair); abutting BTS for the “Seoul Town Road” version; dancing in a affected barn with the Walmart yodeling kid (Mason Ramsey) who happens to be air-conditioned with Diplo; afresh singing with the big guy himself, Billy Ray Cyrus, who could accept acclimated a moment to bright his throat but was authoritative the best of this abrupt Billy Raynaissance. Add in lots of shots of a fungus blooming skull (why?!) and Lil Nas X aggravating to get rid of his trumpet. Finally, we see … Nas. Get it?! Nas! Lil Nas X! This will be the aftermost time all of these bodies are all calm on a Grammys stage.

3. Nipsey Hussle tribute

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We’re afraid about anticipation a accolade achievement too harshly, but this hit the appropriate addendum and anybody was in sync. The performers showed up with their A-game (well, we could accept done with beneath of DJ Khaled’s yelling, but we can consistently do with beneath of that). Meek Mill and YG rapped, John Legend ably played piano and sang his affection out for “Higher,” a choir danced in white clothes that were a nod to Nipsey’s Habesha roots and Kirk Franklin came out and took us all to abbey by the end. Videos of Nipsey rapping played at one point on the screens onstage, which sometimes feels awe-inspiring in a accolade performance, but it absolutely formed alluringly in this. The achievement concluded with those aforementioned screens bulging images of Nipsey and Kobe Bryant. “Rest in Peace, Kobe Bryant, Gianna, continued alive Nip,” DJ Khaled yelled. “The hunt continues.”

4. Lizzo

“This is for Kobe!” Lizzo shouted as she kicked off the advertisement by belting out “Cuz I Adulation You,” with actual applicable lyrics: “I’m crying, cuz I adulation you.” In a ballgown amidst by advancement dancers, it was a easygoing aperture compared to the song she transitioned to next, “Truth Hurts,” in which her dancers were dressed in a actual “laser tag meets opera abode and/or a ballet” vibe. It was a archetypal Lizzo number, as she additionally addled the army by breaking out her canal for a solo. “PERIOD!” she yelled. She concluded by yelling, “Welcome to the Grammys, b—-!”

5. H.E.R.

Once again, we were reminded that H.E.R. can absolutely accompany the calefaction in a way that feels effortless. She performed “Sometimes” by starting at the piano and backed by musicians cleverly lined up on a abruptness abaft her. Eventually H.E.R. stood up, and wailed into the mic afore she best up the guitar and let that wail, too. It all led us to wonder: Why didn’t she accomplish the Prince tribute? H.E.R. bankrupt it out by sitting aback bottomward at the piano and acclaim arch us out. Solid performance, solid notes, solid arena — acknowledgment for advancing aback to the Grammys, H.E.R.

6. Gary Clark Jr. and the Roots

Fire fabricated its additional actualization onstage as allotment of the set for Gary Clark Jr.’s performance. Backed by the Roots, he played his damaging appraisal of Trump country, “This Land.” Clark Jr. belted out the hyperpolitical lyrics, abounding of which can’t be printed in a ancestors bi-weekly or aired on CBS, with the acrimony of jailbait rock. He attacked his guitar abandoned the aforementioned way, injecting a angry birr of acrimony into the awards show.

7. Demi Lovato

It’s been about a year and a bisected aback Demi Lovato survived a biologic overdose. In the amidst time, she’s focused on her sobriety, occasionally alms babyish updates about disturbing to break strong. At the Grammys, she performed “Anyone,” a song she recorded four canicule afore about accident her life. It was her aboriginal alive achievement aback her OD, and it was acutely an affecting experience. She had to restart the song, as she began arrant during the aboriginal few lines. She seemed on the bend of breaking into tears afresh as she belted out the lyrics, “I feel brainless aback I sing / Nobody’s alert to me,” to what appeared to be a absolutely bashful room. But aback she stopped, anybody leaped to their anxiety to acceptable the accompanist aback to the date with a balmy continuing ovation.

8. Ariana Grande

The pop brilliant started out in a chic ballgown singing “Imagine” and “My Favorite Things” while backed by an orchestra. Then, one quick apparel change later, she was donning a teddy and accomplishing splits, dancing and prancing about at a adult coma affair while she crooned “7 Rings” and “Thank U, Next.” She skipped the singing during some of the choruses — she was dancing added acutely than accepted — but belted it out altogether aback charge be. Her abrupt shout-out to her dad (she afflicted the lyrics to “I’ll be thanking my dad, ‘cause he’s kinda awesome”), one Post staffer noted, was added agreeable than Camila Cabello’s absolute accolade to her dad.

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9. Billie Eilish

Though Billie Eilish is best accepted for the frenetically paced “Bad Guy” (nominated for song and almanac of the year), she absitively to bandy in a TWIST and sang the piano-driven carol “When the Party’s Over.” Interestingly, her brother/producer/fellow songwriter Finneas O’Connell about got according announcement (he did address the song, afterwards all) as he sat at the piano. It anguish up a solid best for the 18-year-old pop phenom — although it was sleepier than her usually added ablaze performances, it showed she had added articulate ambit than abounding admirers may accept thought.

10. Tanya Tucker and Brandi Carlile

The lyrics of Tanya Tucker’s “Bring My Flowers Now,” which won best country song beforehand in the evening, were a little too on the adenoids for such a sad day: “We all anticipate we got the time until we don’t,” she sang. “Bring my flowers now, while I’m livin.’” (Tucker, 61, additionally won best country anthology for “While I’m Livin’” — these were her aboriginal Grammy wins ever.) Brandi Carlile, who co-wrote the song and produced the album, abutting in the easygoing carol on piano, as Tucker’s black accent fit the affection of the added austere than accepted show.

11. Rosalía

As usual, Spanish pop-flamenco brilliant Rosalía had a anesthetic song and ball routine, dressed all in white amidst red advancement dancers as she crooned her hit “Malamente.” Rosalía, who is additionally the aboriginal best new artisan appointee whose music is recorded all in Spanish, didn’t accept abundant time onstage compared to the others in her category, but her flamenco dancing (in sneakers!) absolutely larboard an impression.

12. Alicia Keys (twice!)

In what is acceptable an anniversary tradition, host Alicia Keys sat bottomward at the piano and began serenading the army with a bendable melody and some absolute thoughts, such as: “We debris the abrogating energy. We debris the old systems.” She afresh actively mentioned Kobe Bryant’s abortive afterlife for the additional time in the adolescent evening. “I apperceive how abundant Kobe admired music,” she said. “We gotta accomplish this a anniversary in his honor. He would appetite us to accumulate the accordance high.”

From there, Keys launched into a awning of Lewis Capaldi’s “Someone You Love,” replacing the lyrics with quips about the artists in appearance and the apple at large. Among references to how we “obsessed over BTS” and giving acknowledgment to Beyoncé, Keys mentioned the account out of Washington, D.C., singing “Tonight we charge affiliate admitting all the account we’re seeing / administrator in arch accusable / let’s accompany in Cardi B.” As always, the bit was sweet, funny and touching. If Keys continues hosting the Grammys, it’s abiding to be a annual highlight.

The artist performed afresh against the end of the advertisement and, with advice from Brittany Howard of the Alabama Shakes, performed her new song “Underdog.” It began artlessly abundant with aloof the brace onstage, but eventually Keys absolved to a piano on a annular date in the centermost of the venue. Dancers amidst her as the date began ascent about 20 anxiety into the air. There was annihilation amiss with the performance, per se, but annihilation abundant stood out about it either.

13. Camila Cabello

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Camila Cabello offered a affecting — if hardly abominable — accolade to her ancestor with a aboveboard achievement of her song “First Man.” As home videos of a babyish Camila and her ancestor Alejandro played in the background, the accompanist kept her eyes bound on one accurate being in the crowd: the actual accountable of the tune, who she took as her date to the ceremony. While the song abject a bit and began activity a bit stilted, seeing Alejandro clean tears from his eyes injected the awards actualization with a bit of pure, ardent emotion. And isn’t that what music is all about?

14. Usher, Sheila E. and FKA Twigs

Every awards actualization needs an affecting accolade to a backward great, and this year we’ve got at atomic two on the docket. The aboriginal attempted to account Prince. Unfortunately. Usher, abutting by FKA Twigs and Sheila E., launched into a melody of the Purple One’s songs. But what was declared to be accolade acquainted added like a karaoke affair in the bosom of a surreal dream. Usher did a accomplished abundant job of singing such hits as “Little Red Corvette,” “When Doves Cry” and “Kiss.” But no one is Prince but Prince. Best absorbing were the acrobatics address of FKA Twigs, who started off twirling and sliding about on a pole afore ditching it and application Usher as the pole.

Perhaps the accolade was best summed up by a Post editor, who asked, “Why is this happening?”

15. Jonas Brothers

The Jonas Brothers ill-fitted up in gold and launched their Grammys moment with a new song that charge be alleged “Five Added Minutes,” because they again that byword … a lot. Afresh they ran to the big date for a actual Broadway-esque adaptation of “What a Man Gotta Do,” complete with lots of active advancement dancers — and of course, a abiding attempt of the JoBros wives, Priyanka Chopra, Sophie Turner and Danielle Jonas. As usual, Nick and Joe switched off on advance vocals, and it was actual absolutely average.

16. Blake Shelton and Gwen Stefani

Somehow CBS finagled Blake Shelton and Gwen Stefani for a affiliation alike admitting this is not the arrangement of “The Voice,” area they aboriginal met and are both judges. Shelton started out as the alone one onstage with a guitar, afresh Stefani joined, and afresh the two grasped easily during the achievement of their carol “Nobody But You,” which one Post staffer declared as “an off-brand ‘Shallow.’” Overall? It was accomplished and absolutely forgettable the moment it ended

17. Ken Ehrlich tribute

The Grammys producers absitively to address several account (that could accept been acclimated by Bonnie Raitt, but that’s neither actuality nor there) to a accolade to Ken Ehrlich; Sunday credible his aftermost bearing the ceremony. And the way to do this was with a song from … “Fame.” Yes, “Fame,” a blur from 1980 Actuality is anybody who showed up to accomplish “I Sing The Body Electric”: Camila Cabello, Cyndi Lauper, Gary Clark, Jr., Ben Platt, Joshua Bell, Lee Curreri, Common, Lang Lang, Misty Copeland and dancers from the Debbie Allen Ball Company. Ehrlich had beforehand told USA Today that the song is “the accepted of maybe one of the best pieces of blur music that I’ve anytime seen.” Afterwards the performance, LL Cool J came onstage and angrily proclaimed, “That was amazing, WAS IT NOT?!” Was that a question, or a command?

18. Aerosmith and Run-DMC

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Steven Tyler, antic a asleep caterpillar on his high lip (and, eventually a alongside baseball cap — really), articulate collapsed and about blatant as he launched into “Livin’ on the Edge” for no credible reason, accustomed that a achievement of “Walk This Way” had been accustomed the absolute evening. Soon enough, though, Aerosmith transitioned into the rock-rap amalgam that took the apple by storm in 1986.

After singing the aboriginal verse, Tyler chock-full to say article was missing. Cue Run-DMC beginning through a babyish brick wall, aloof like in the acclaimed music video. Let’s cut to the chase. It articulate awful. It articulate so bad, it was adamantine to acquaint whether there were abstruse malfunctions or not. All the sounds — the voices, the almanac scratches, the guitars, the drums — attenuated calm into one dawdling monotone, like alert to a punch accent at top volume. It articulate like they were alone assuming the song in altered apartment at altered times. We’d action a added all-embracing review, but we couldn’t absolutely differentiate any of the noises. The best moment of the achievement was aback Tyler yelled “let’s get out of here” because we knew this accurate embarrassment was assuredly ending.

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